Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.    “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.    The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

故事发生在毗邻大海的神户，在坡道最顶端有一栋老式的西方建筑，里面住着有些特立独行的服装裁缝市江（中谷美纪 饰）。市江经营着从祖母手中继承下来的裁缝店，祖母在世时就秉承着“为人们缝制可以穿着一生的服装”的理念，一针一线都凝结着制作者的心血和灵魂。市江沿着祖母的道路一丝不苟前行，她热衷于为代代相传的衣服改尺寸，同时拒绝将这门手艺品牌化。当地百货商店的职员藤井（三浦贵大 饰）三番五次登门拜访，希望市江能授权让服装走向市场。或许出于对祖母的尊重，或许是对这份手艺的虔诚，又或者是内心隐隐的不安与忌惮，市江久久无法迈出这重要一步…… 本片根据池边葵的同名原作改编。

回过神后发现，我转生成为了游戏中年仅8岁的大公主，未来将继承王位。身为与玩家对抗的最终BOSS，本将会给身边人带来不幸，走向灭亡…………是说，我根本早早去死比较好吧？但是，既然可以改变故事线，那...

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1968年，英国达格南。福特汽车制造厂无疑是英国私营企业里的龙头翘楚。然而在以男性为主导的汽车行业里，女性的地位却显得尤为低下。187位缝纫女工在条件极为恶劣的工厂车间里，汗流浃背地埋头缝纫汽车座椅衬...

[在美国史密森尼国家动物园里，有一群以保护物种为己任的人——尽职尽责的饲养员们。你可能以为，动物园的饲养员只需要每日定时投喂就够了，可国家动物园的饲养员要做的却不只是这些：他们要应付各个年龄段的、各种动物的口味和食量；还要种植竹子，并按时按质按量地收割；还要想尽各种办法让动物保持身心愉悦……史密森尼国家动物园为濒危物种制定了一系列的保护计划，而饲养员们则会为了保护濒危物种献出自己的宝贵力量。]

很久没约会而回家的索尔，在当天晚上竟然看到寂寞的妈妈在自慰，索尔决定为孤独的母亲找一个男友，但是被妈妈严词拒绝，索尔觉得很奇怪，她偷偷地翻遍妈妈的房间，看看妈妈有没有留下关于男人相关的痕迹，然后在那里却发现了妈妈的日记...

剧情简介 : Finley Blake supports herself by performing live online erotic webcam shows. Because of this, her young son was taken from her and she is desperately trying to get him back. She is 33 years old and alone, with only her cat and the rats that inhabit her house in Austin, Texas. The film captures several ordinary days of her life – days in which she is so terribly alone yet still ...

胖虎是一只流浪猫。因为贪吃，它被北漂青年李智捉住，被迫与心爱的小母猫木娜分离。于是，胖虎开始想尽办法逃跑！在这场猫与人的斗智斗勇中，他们逐渐从陌生到熟悉，成为亲密的伙伴，度过了难忘的一年。2012年的...

本片以新中国建设年代海河大型水利工程建设为叙事背景，以岗南、黄壁庄两大水库建设和移民搬迁、重建家园为内容主体，以大量第一手资料展现水库建设、搬迁、脱困、重生的艰苦卓绝的发展历程，以群像的形式讴歌滹沱河...

瑞士有个叫Dignitas的民间机构，是世界上唯一的可以合法地帮助他人死亡的组织。它的创办人，民权律师Ludwig Minelli坚信，死亡的选择权是人类最基本的权利之一。 到目前为止，这个组织已经帮助来自40个国家的500多个人有尊严，没有痛苦地死亡。影片跟随记录了59岁，患有类似肌肉萎缩症的Craig如何在妻子的陪同下，从美国来到瑞士，安静地在那里结束生命的过程。Craig患病有半年多，可以讲话，但生活已经不能自理。 震撼人心的是电影记录了他自杀的整个过程。那是2006年９月份的一天，Craig被送到一个旅馆里，妻子陪在身边。Dignitas的员工向Craig解释了如何吃药，如何用自己的牙关闭呼吸器的按钮，整个过程必须录像，供警察局最后的审核。Craig 要求再等一会，再等一会。然后，他开始喝药，药很苦，而且因为是自杀，他必须想办法自己捧着杯子。他的表情表现出内心的波澜。挣扎着把药喝完，他对妻子说：“给我点橘子汁。”她妻子把橘子汁喂到他嘴里。“给我点音乐吧。”他又恳求了一声。贝多芬的“命运”响起。他用牙咬合了呼吸器的开关，呼吸器将会在 45分钟后，也就是药力让他进入睡眠状态后停止工作。这时，他头向后靠在了枕头上，似乎从刚才短暂的惊惧中平静下来，闭上眼睛。大约一个小时以后， Craig熟睡一般安静地死去。 温哥华电影节特别关注 雅虎网站电影专栏评选2007年十大纪录片 2007HotDocs观众票选 TOP10