《青稞》是由西藏自治区新闻办公室出品，拉萨沃若美措文化实业有限公司、成都墨鼓文化创意有限公司联合拍摄制作的三集纪录片。是首部全景式、网格化展现青稞这一青藏高原农作物的4K电视纪录片。全片共三集，全片摄制周期跨时两年，摄制组行程长达4万公里。

据《无法阻挡的highkick》制作公司负责人透露，因为是续集，因此新剧原本是计划叫《无法阻挡的highkick2》，不过后来考虑到新剧中有不少新的演员加入，最后将剧名定位了更有气势的《穿透屋顶的hi...

讲述的是流浪食客林志浩主厨与生离死别的亲生母亲、心中思念的养母的故事。这部思念在路上长期结缘的母亲，为寻找人生真味而经历10年旅程的作品。

2018年9月13日下午晚些时候，飓风佛罗伦萨袭击北卡罗来纳州12小时前，美国国旗的两小时监控录像被记录下来。这段录像是在煎锅塔（frying pan tower）拍摄的，这是一座退役的灯塔，位于距北卡罗来纳州海岸39英里的大西洋上的煎锅浅滩上。 Berlin International Film Festival Forum Expanded group exhbition 柏林国际电影节论坛延展单元群展 展览名：ANTIKINO (The Siren’s Echo Chamber)； 译名：安提基诺(警报器的 回音室) 展览时间：2019.02.06-03.09 展厅地址：silent green / Ebensperger Rhomberg / Luxoom Lab 开幕式时间：2019.02.06 18:00(展厅开放) 19:00(开幕式)。 开幕式地点：silent green Betonhalle 策展团队：Stefanie Schulte Strathaus（首席策展人）、Anselm Franke、Maha Maamoun、Ulrich Ziemons

《疯爱》片长227分钟，详细记录了云南昭通市精神康复医院里男性精神病患者们的生活。

This film begins with a photo of an armed civilian in Gwangju in May 1980. Mr. Ji Man-won, a conservative commentator, claimed the North Korean military intervened in the May 18 Gwangju Democratic Movement. According to Mr. Ji, the person in the picture is the North Korean soldier, ‘No. 1 Gwang-soo’, who masterminded the movement. The director traces the young man′s whereabouts based on the faint clues left in the picture. Amid the numerous photos that Ji Man-won presented as the basis for his claim, Gwangju citizens, who were suspected as ‘Gwang-soos’, filed a lawsuit against Mr. Ji. However, No. 1 Gwang-soo does not appear, and people do not remember him. The only thing they managed to recall from the vague memories was the fact that he was a ragman, Kim-Gun. The director approaches the truth gradually as interviews with numerous people and old data are closely compiled. At the end of the chase, what will we encounter? The directing power creating the tension is so great that we have to watch and hold our breath until the last moment. (Huh Kyoung) [23th BIFF Wide Angle]

우간다 내전으로 상처받은 사람들이 모여 사는 딩기디 마을. 반군에게 부모가 잔인하게 살해당하는 모습을 목격했던 아이들은 트라우마로 심한 발작을 일으키는데∙∙∙ 이들을 사랑으로 보살피는 김은혜 선교사. 하지만 김 선교사는 살아생전 가족들을 가난의 굴레에 던져놓은 채, 딩기디 마을 사람들을 보살폈던 아버지에 대한 원망을 .. 乌干达内战而受到伤害的人的聚居村落。

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)